‘Where else can they go?’: violence, resistance and the socio‐cultural trajectories of Kashmiri women in Freny Manecksha's Behold I shine : narratives of Kashmir's Women and children

Abstract

Abstract In the armed conflict between Kashmiri militancy and the Indian state forces, Kashmiri women have been relentless victims of abduction, rape, molestation, and cruel objectification by the militaristic patriarchs of both sides. In the context of the state's unaccountability, the rebuttal of justice is horrific in Kashmir. Consequently, due to predominant masculine, state‐centric, absolutist, and neo‐realist perceptions, the majority of atrocities against Kashmiri women have gone unregistered and unreported, failing to reach the pan‐Indian masses through the dominant media and literary narratives. This article explicates Freny Manecksha's book <jats:italic>Behold I Shine: Narratives of Kashmir's Women and Children</jats:italic> (2017) as a unique retelling of Kashmiri women's physical violence, fears, trauma, and, most importantly, their fortitude and recuperation. Drawing on feminist views on rape and repression, it exposes how rape in Kashmir incessantly functions as a weapon of suppression, relegating women to the most precarious position. Simultaneously, the discussion demonstrates how rape and oppression render Kashmiri women docile and vulnerable to cultural and collective trauma by employing the Foucauldian notion of docility. The article further addresses how Kashmiri women repudiate the traditional divides of private and public, overturn the social expectations of womanhood, contest the patriarchal excesses of militaristic Kashmir vis‐à‐vis their resilience, and protest against state‐sponsored violence. Thus, the article posits Manecksha's writing as a counter‐historiographic narrative for the marginalized voices of Kashmiri women, whose ways of redressing their grievances constitute subversive modes of resistance.