Please use this identifier to cite or link to this item: https://hdl.handle.net/10321/4942
Title: Analysing Instagram pages of South African fashion models with Vitiligo using multimodal communication for a practice-based study
Authors: Sarupdeo, Emilia 
Keywords: Vitiligo;Multimodal discourse analysis;Creative practice as research;Fashion;Plural beauty;Ccommunication;Semiotics
Issue Date: 1-Mar-2023
Abstract: 
An increase in fashion models with vitiligo are observed from the sharing of representations
of themselves and the skin condition on multimodal forms of communication on social media
platforms, notably Instagram. The study is located in fashion and focuses on vitiligo that has
been widely discussed in the medical field. Vitiligo is a skin condition where the deterioration
of melanocyte cells lead to white patches that present in various areas of the body (Vallerand
et.al 2019: 1371). The significance of this study is to understand the representations led by
fashion models with vitiligo and to join them by using my profession as a fashion designer with
vitiligo to shift the beauty narrative through inclusivity and raising awareness about the skin
condition.
The study is framed by a multimodal discourse analysis and specifically a four-step analytical
process of modal transfer (Kress 2000 and 2010). This frame is used to focus on how fashion
models with vitiligo use multimodal communication in the form of photographs, captions, and
hashtags to communicate themselves, as people with vitiligo through their public Instagram
pages. This form of communication is argued to be their practice of challenging and expanding
accepted notions of beauty. An analysis is followed by a practical component framed by
Sullivan’s (2010) and Skains (2018: 86) creative practice as research.
The study results show how the models have represented themselves and their skin condition.
Some posts touch on themes that seek to shift the narrative and expand notions of beauty.
They share perspectives on inclusivity and diversity, self-love, self-affirmation, body-positivity,
perceptions of the gaze, and what should not be regarded as fashion trends. Optimism
expressed by such themes resulted as psychological healing and promotes good mental
health towards the incurable skin condition.
I designed a body of fashion artefacts for this practice-based study as my contribution to using
fashion as communication to shed light on vitiligo and body positivity. A new Instagram page
has been created to display the practical collection through my own use of multimodal
communication. This process has resulted in 6 fashion artefacts that use hashtags as titles to
speak about vitiligo. The fashion artefact collection celebrates inclusivity and diversity, depicts
the types of formation which vitiligo presents in, and concludes by perceiving all as beauties,
expressed in both in practice and theory.
Description: 
Submitted in fulfilment of the requirements, for the degree of Master of Applied Arts: Fashion, in the Faculty of Arts and Design at Durban University of Technology, Durban, South Africa, 2023.
URI: https://hdl.handle.net/10321/4942
DOI: https://doi.org/10.51415/10321/4942
Appears in Collections:Theses and dissertations (Arts and Design)

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