Please use this identifier to cite or link to this item: https://hdl.handle.net/10321/4985
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dc.contributor.advisorCavanagh, Michaella-
dc.contributor.advisorPratt, Deirdre Denise-
dc.contributor.authorKirby, Luhandraen_US
dc.date.accessioned2023-09-19T05:32:47Z-
dc.date.available2023-09-19T05:32:47Z-
dc.date.issued2020-04-07-
dc.identifier.urihttps://hdl.handle.net/10321/4985-
dc.descriptionDissertation submitted in fulfillment of the requirements of the degree of Master of Applied Arts: Fashion, Durban University of Technology, Durban, South Africa, 2020.en_US
dc.description.abstractThis study explored the use of blended learning in a fashion design class, working within the constructivist orientation with a mixed methods case study and using a sequential exploratory approach in order to focus on the effectiveness of the blended learning design and how it is experienced by the participants. The case study was based on a group of second year fashion design students from a private design institution in South Africa, for the combined subject, pattern making and garment construction. The purpose of this research was to investigate the ways in which face-to-face learning and online learning could best be blended to facilitate instruction in this particular class. The study focused on establishing what combination of online and face-to-face delivery could be seen to be most effective in achieving the project learning outcomes within the time and resource constraints available for the combined pattern making and garment construction subject. A blended learning curriculum model (Huang, Ma and Zhang, 2008) was used to assist in preparation for the blended learning programme, with online learning delivery being effected by means of Google Classroom, the learning management system recommended by the private design institution. The sequential exploratory approach involved two projects, so that insights gained from the first project could be applied to modify the blended learning design for the second project, if and as required. Quantitative data were used to establish a baseline of students’ prior understanding of blended learning, pattern making and garment construction processes. Qualitative data were collected in the form of interviews, questionnaires and observations, allowing for a descriptive understanding of how students as well as the lecturer (who was the researcher) experienced the blended learning classroom, and how effective that blend was in achieving the desired learning outcomes; opportunities were also offered for reflection. The results revealed that, not only did blended learning delivery need to be applied in a developmental way, with ongoing adjustments to accommodate best teaching/learning practice, but also that different fashion ‘briefs’ (that is, the tasks involved) might require modifications to the blended learning delivery design. This suggests that there is no ideal ‘blend’ in blended learning, but that, like other forms of learning, it is exploratory, tentative and constantly evolving. It is hoped that this study will offer insights into how face-to-face and online learning can be combined to best facilitate the learning process in this particular case, where practical assistance with students’ individual design projects traditionally requires a large amount of the instructional time available. As many vocational university subjects have similar time and resource constraints, particularly in facilitating practical application of theory at a professional standard, it is also hoped that, to some extent, the results will be generalizable to other disciplines.en_US
dc.format.extent356 pen_US
dc.language.isoenen_US
dc.subjectFashion design classen_US
dc.subjectBlended learningen_US
dc.subjectFace-to-face learningen_US
dc.subjectOnline learningen_US
dc.subject.lcshBlended learningen_US
dc.subject.lcshFashion--Study and teaching (Higher)en_US
dc.subject.lcshEducational evaluationen_US
dc.subject.lcshEducational technology--Computer-assisted instructionen_US
dc.titleThe ‘blend’ in blended learning : establishing a balance between face-to-face and online learning in a pattern making and garment construction classen_US
dc.typeThesisen_US
dc.description.levelMen_US
dc.identifier.doihttps://doi.org/10.51415/10321/4985-
local.sdgSDG04-
item.fulltextWith Fulltext-
item.cerifentitytypePublications-
item.openairecristypehttp://purl.org/coar/resource_type/c_18cf-
item.languageiso639-1en-
item.grantfulltextopen-
item.openairetypeThesis-
Appears in Collections:Theses and dissertations (Arts and Design)
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